Mary Schiliro’s work poses the question, what is a painting? How does it work? And how far can one push that definition before it becomes something else? Her installation, a hanging plane of Mylar that she perforates and dips in paint, is sited in the corner, which is transformed into more than the meeting of two planes. The painting hangs like a three-dimensional object demonstrating gravity, all while inconspicuously functioning as her picture plane.